This package of TimeOut Ultramacros for AppleWorks reduces some of the work in composing short, documented scholarly papers. It removes most of the work involved in documenting papers through bibliographic notes (footnotes, etc.), allowing the author to focus on composition.
Page [Page#] Omelette Macros
This package is released to the Public Domain through the National AppleWorks User Group and the Lansing (MI) Apple L.U.G.
INTRODUCTION
Please set aside a backup copy of this file. The next section tells how to install the macros and use them--by tearing this AppleWorks file apart. If you end up liking the package, you'll want to have a backup copy of the file on hand. Please save a backup on a separate disk now.
The package assumes intermediate knowledge of AppleWorks, beginning knowledge of using TimeOut Ultramacros, and some familiarity with academic type-formatting styles. These instructions/documentation, and particularly the glossary, will provide some of this background, but not enough to let a beginner use the package with confidence and skill.
In terms of hardware and software, the macros assume a minimum 128K Apple II-series computer, with two disk drives or other storage devices, AppleWorks version 2.0 or higher, with TimeOut and Ultramacros installed.
TEMPORARY INSTALLATION
This section assumes that you have made a backup of this file, and are reading it or have printed it out using AppleWorks (version 2.0 or higher) enhanced by TimeOut and its Ultramacros module. To load all the macros--and try them--use the following steps:
1. If you haven't yet done so, back-up this file and print out these instructions--or at least those parts which are immediately useful. This section and Appendix 5 are recommended, at minimum.
2. Put this file on the desktop, leave it, and create a new word processing document from scratch. Return to this document. If you need the desktop space, delete all of this document except Appendices IV and VI
3. Using Open-Apple-Q and the clipboard, copy or move Appendix IV of this manual to the new document.
4. With the new document on the monitor screen, use Open-Apple-Escape to get to the TimeOut menu.
5. Choose the options to compile a new set of macros--from the beginning, with no pausing at each line.
6. When the macros are compiled, escape to AppleWorks. Eliminate the macros document from the desktop. Delete all of this manual except Appendix VI. Bye! (This is why we had you save and print this file in step 1.)
7. Change the name of the remaining appendix to something odd using Open-Apple-N, make sure the AppleWorks PROGRAM is accessible, have a data disk with 5K accessible (or similar storage).
8. Try any one of the Both-Apple macros; E, I, or F. They will rearrange Appendix VI into any of the three forms of academic documentation.
DISCLAIMER
This package may not be useful for serious, prodigious scholars--buy an IBM and heavy-duty, dedicated word processing software. There are known and--presumably--
unknown limitations in this package which will leave the serious, experienced scholar unsatisfied. It is a rough-and-ready utility for occasional scholars who don't want to buy yet another word processor program.
The known limitations of this package are indicated by the label ** LIMITATION **. These limitations are not severe, but do force the user to exercise care and reasonable forethought in using the package.
Aside from such known limits, it is impossible to anticipate the wide variety of text and footnote "special situations" which may occur when an author puts words on paper. As a result of known and unknown limits and bugs, two general cautions are advisable;
A "computer rule:"
SAVE YOUR WORK FREQUENTLY.
A "composition rule:"
THERE IS NO SUBSTITUTE FOR CAREFUL EDITING AND PROOFREADING.
These macros can only help the author, not subsitute for careful editing, proofreading and file-saving. So there.
A CLOSER LOOK AT COMPOSITION AND FORMATTING
Ideally, documenting and formatting should not get in the way of composition. Before word processing, flexibility in
composition was accomplished with pencils, erasers, scissors and paste. With word processing, these hand tools are replaced by keyboard sequences which move, delete, and adjust the text on the screen.
Procedures to document--footnote--academic papers on a word processor need to be as flexible as the medium itself. The first footnote may become the last during the editing process. Consequently, documentary notes need to remain close to their text-reference (see the glossary), and unnumbered, throughout the editing process. Ideally, formatting decisions--whether the notes go at the bottom of the page, at the end of the document, etc.--should be a minor detail, to be dealt with when the composition process is finished.
This package approaches this ideal through two types of TimeOut Ultramacros. They are Composition macros and Final-formatting macros. Composition macros are used while composing the academic paper. They establish superscripts, arrange for the text-reference and its note to remain together throughout composition, and perform similar tasks. Final-formatting macros rearrange the entire document into a particular academic format, handling any necessary computer file housekeeping and similar details.
The two types of macros are not independent. In particular, the note created by the Composition macro must be recognized as a note by the several Final-formatting macros. Also, the writer must be able to recogize this special structure and deal with it while moving text from one part of the evolving paper to another. See STRUCTURE OF A DRAFT NOTE for guidelines in this relatively advanced matter.
** GENERAL LIMITATIONS and technical considerations **
These paragraphs detail some limits which are worth remembering. They will not grossly limit the typical
student-author or occasional user, but are worth remembering when casual use is exceeded
Consistent with typical academic requirements, the macros assume that the main text is double-spaced, that the notes are single spaced when they run more than one line, and that there is at least one tab, set 2 to 15 spaces right of the main left margin.
The macros allow one superscripted text-reference per line of text. Two, three or more references to documentary notes on any single line of main text confuse the macros and cause mistakes in subsequent note-numbering.
The macros use several options (see STRUCTURE OF A DRAFT NOTE, below) and three asterisks set solid (***) to recognize and manipulate text-references and notes. The user should avoid using these options independently, until finished with the macros. When the paper is in near-final form, these options can be inserted during proofreading.
NOTE: the limitation above does not apply to judicious use of single-spacing within the main text for long quotations. The macros have been programmed to let all ---SINGLE SPACE print commands stand as is, and only to manipulate those ---DOUBLE SPACE commands which occur immediately following documentary notes.
COMPOSITION MACROS
There are four composition macros to be used when composing a paper. The first two should be used almost constantly, to establish and maintain the draft note structure. The other pair are Ibid. and op. cit., icing on the cake. Their descriptions follow:
Closed-Apple-B This macro begins a note sequence. It is invoked where the first digit of a superscripted text-reference would appear. It places necessary markers in the text and inserts triple asterisks where the text-reference will appear. Then, it allows the writer to type to the carriage return at the end of the line where the text-reference occurs. When the RETURN key is pressed, the macro again creates superscripted asterisks, this time at the beginning of the note. Then the writer types the author, title, etc., or uses the I or O macros (below).
** LIMITATION ** The first text-reference (see Glossary) in a document must be at least four lines (blank or not) below the beginning of the document.
** LIMITATION ** When macro B has been invoked, the left and right margins within that paragraph should be left as is. If the left and/or right margin is later changed, "orphan" short lines may occur. This is because the composition macros set carriage returns, to control later macros. Suggestion: Choose a few basic sets of side margins, use them, and don't change them later. Orphaned short lines can be fixed in proofreading--but holding to a few sets of margins is easier. Top and bottom margins, by the way, can be changed at any time.
Closed-Apple-E This macro ends a footnote sequence. It is invoked when the author has completed the body (author, title, whatever) portion of the note. It places necessary markers after the note and ends by returning the author to the next line of main text.
Technical Note: the experienced user might wish to make macro E part of B, I, and O by having those macros hold for a <INPUT> command. This complicates composition, however, in other ways.
Closed-Apple-I After macro B is invoked, the author can use this macro to set the word Ibid. in the note.
Closed-Apple-O After macro B is invoked, the author can use this macro to set the words op. cit. in the note.
TRANSITION HOUSEKEEPING
When composition is complete:
1. The AppleWorks main PROGRAM must be accessible through its usual disk drive, slot, or pathname. The macros need to access the main program to calculate page numbers and to perform similar housekeeping tasks.
2. A data disk or other storage device must be accessible, with sufficient space on it to allow the draft compsition to be saved via an Open-Apple-S command. The final-formatting macros all save the draft composition as a first step, to ensure that it is preserved if there is some sort of catastophic error.
3. Obviously--perhaps--the draft composition must be on the desktop and visible on the monitor screen.
NOTE: If the user is planning to put all the documentary notes at the end of the draft composition (Both-Apple-E), then the draft composition needs to be the only document on the desktop and there should be at least 3K of desktop space available. This is because the Both-Apple-E macro creates a second file to reassemble the final document.
FINAL FORMATTING MACROS
There are three type-formatting options included in this package; text-embedded notes, endnotes, and footnotes. They are implemented with "Both-Apple" macros, to help ensure that the macros are not invoked by mistake.
Text-embedded Notes
To implement text-embedded notes, invoke Both-Apple-I. The macro will number the text-references and notes, and place a line above and below each note.
Endnotes
To put all notes on a separate page at the end of the document, invoke Both-Apple-E. The macros will number the text-references and notes, and put the notes on a separate page at the end of the document.
NOTE: See the NOTE in TRANSITIONAL HOUSEKEEPING above for additional requirements for using this macro. Also, the final document will be called ZZZ.NEWDOC on the desktop when the macros are complete.
** LIMITATION ** To use this format, there should be no more than about 200 text lines between text-references.
(Technical note: This limit is based on the limit on the size of the AppleWorks Clipboard--users who have certain extended memory boards installed in thier computers may not be bound by this limit.)
Footnotes
This is the classic form. Like all classic forms, it requires more attention than the others. Several macros are
required to create footnotes at the bottom of each page, and two of them are used in alternation with each other. There may be a significant amount of cleanup to be done, or at least checked for, at the end of the process.
Invoke Both-Apple-F to place footnotes at the bottom of each page.
** LIMITATION ** To use this format, there should be no more than about 200 text lines in a note.
(Technical note: This limit is based on the limit on the size of the AppleWorks Clipboard--users who have certain extended memory boards installed in their computers may not be bound by this limit.)
** LIMITATION ** Or, rather, a suggestion to avoid a problem. In longer papers, particularly when page headers and footers are used, footnotes which should be at the bottom of a page sometimes spill over to the top of the following page when the user has completed using the macros. Consequently, to avoid this problem, the top and bottom margins on a draft paper might best be wide, then narrowed on the final copy. Example: First draft; top margin 1.5 inches, bottom margin 1.5 inches: final draft; top margin 0.7 inch (so a header will occur in the upper inch of each sheet) and bottom margin 0.7 inch (ditto for the footer).
** LIMITATION ** Even with the above suggestion heeded, a note longer than about 30 lines may not occur entirely on the same page as its text-reference--but will appear on the top of the following page. In fact, notes longer than 2-3 lines can create minor variations in pagination. These problems can be dealt with in proofreading.
Carefully proofread the new document. Use the Open-Apple and the "K" keys to check pagination. Sometimes, there are extra lines at the top of the first page, which push one or more of the first-page footnotes into a short second page. Deleting the extra lines at the top of the first page solves the problem. Narrowing the top and bottom margins throughout the document solves such problems between the first and last pages, as noted above. Similarly, the footnotes on the last page are typically shown right below the text. Where the text is a quarter- to half-page long, extra blank lines should be inserted to lower the footnotes to the bottom of the page.
Similarly, a page may be "short"--footnotes ending two inches or so above the bottom of the page. In the quest for as many pages as possible, this may not upset student scholars, but some lines can be shifted from a subsequent page, if desired, during final proofreading.
FINAL FORMATTING COMPLETE
The final-formatting macros--whichever format is chosen--are finished when activity stops on the screen and this legend appears at the bottom edge:
Not found, press Space Bar to continue.
The wisest thing the user can do at this point is press the space bar, then imediately change the name of the document--using Open-Apple-N--then save it under the new name.
STRUCTURE OF A DRAFT NOTE
Here is a sample of a draft note on the "zoomed" AppleWorks wordprocessor screen:
Daunting? Fear not; the computer and this package do most of the work for the writer, right down to the last op. cit. This example is only included here to explain the structure, as follows.
The formatting instructions are paired, like vertical parentheses surrounding various parts of the text. The "-----Group Begin" and "-----Group End" markers simply ensure that the text-reference and the footnote remain together, and on the same page, through final formatting-- unless endnotes are chosen. The Single/Double Space pair of markers switch the carriage returns from text style to note style and back again. The "Set a Marker:" pair tells the macros and computer where the actual note begins and ends. As discussed elswhere, the triple asterisks indicate where pairs of superscripted numbers will eventually be placed.
The reason for this extensive dissection of the structure is to put force behind one command:
** LIMITATION ** WHEN COMPOSING, THOU SHALT NOT BREAK ANY GROUP.
Breaking any "group" confuses the computer and Final- formatting macros, causing chaos. Keep all "Group Begin" and "Group End" markers together in their proper order. A "group" can be moved above, or below, any other or several, of course. Just keep each individual group together.
GLOSSARY
Endnote(s)--The practice of placing single-spaced docu- mentary notes on a page or pages at the end of the paper, chapter, or book.
Footnote(s)--The practice of placing single-spaced docu- mentary notes at the bottom of the page where their text-references occur.
Invoke--Using the Closed-Apple key (or both "Apple" keys), and a letter or number key together to start a TimeOut Ultramacro.
Macro(s)--These are instructions to the computer to perform functions and enter data as if the keys had been pressed by someone at the keyboard. Macros allow repetitious work to be performed by the machine. Under the TimeOut Ultra enhancements to AppleWorks, these instructions are compiled from an AppleWorks word-processor file.
Superscripted-reference--the superscripted digits at the very beginning of an endnote, footnote, or text- embedded note.
Text-embedded note--A note, left embedded, immediately beneath the text line where its text-reference occurs. Such notes are set off from the text by full-width lines across the page.
Text-reference--the superscripted digits, usually sequen- tial, within a text which refer to endnotes, footnotes, or text-embedded notes.
Inherent affective domain conservatism contributes to
affective temporal liberal or conservative fiscal
convergence2 under the effective domination symbosis.
2Friedman, An Assessment of Affective Domain Fiscal Perceptions, Vol. 2, pp. 77-79.
This logistical expansion is expressed in a symbiotic
enhancement of thermodynamic consistency. Friedman is
entirely contextual in this expectation,3 losing the
3Ibid., p. 88-162.
confirming the retrograde expansion of interstellar and interplantary symbolism. Existental and extraterrestial bitmapping defines rebuttal romanticism, confirming meter and rhyme under conventional depreciation schedules. Not
lost in this analysis is the proto-elegant configuration of
the platonic oedipal complex.4 The complex predefines
4It is noteworthy that Blount and Friedman agree on this configuration; mortality projections suggest that both remain comparatively interactive.
reductive interpretations of marsupial knight-errantry, anticipating existential romanticism, as well as gold-standard Keynsian monatarism. However the problem is approached, the standard remains the same; conversion of the sensible interpretation to the nonsensical preface. Unlike the last laecuna, the vicuna conveys warmth, sensitivity, and a balance between ego, id, and superego.
The lost dynastic geological incontraversion also established antebellum transubstantiation. Introspection
confirms that spherical synthesis was a valid approach to
its analysis.5 Weber pioneered this debenature,
5Blount, op. cit., pp. 28-29.
commiserating with the mercurial attenuation of the internal dialectic. Connubial, anterior probation substantially reduces the commemorative expectations of reptilian dynastic aspirations, which were ecologically thwarted a score of millenia before serious mammalian exogesis. Particulate emissions were retrospectively credited with convertable
intuitive remuneration. Exponential hydrological
microrepression was, however, responsible6 for the
6Weems and Plath, Regression Analysis, p.2
precolumbian human synergy. Net present value was reduced by the depreciation of the fund equity implicit in
international prospectus alliteration under antekinetic
pressure.7
7We can credit Foucald with this insight, according
to Weems and Plath.
Contributory negligence is not confined to definitive antecolombian textiles, however. Protocol marked the decline of the lunar calendar in viable teleological taxonomy. Marketable securities only recently plumbed the seismological incentive. External ambiance supports the logistical aphorism naturally symbolic in natural geometry.
Inherent affective domain conservatism contributes to
affective temporal liberal or conservative fiscal convergence2 under the effective domination symbosis.
This logistical expansion is expressed in a symbiotic
enhancement of thermodynamic consistency. Friedman is entirely contextual in this expectation,3 losing the
confirming the retrograde expansion of interstellar and interplantary symbolism. Existental and extraterrestial bitmapping defines rebuttal romanticism, confirming meter and rhyme under conventional depreciation schedules. Not
lost in this analysis is the proto-elegant configuration of the platonic oedipal complex.4 The complex predefines
reductive interpretations of marsupial knight-errantry, anticipating existential romanticism, as well as gold-standard Keynsian monatarism. However the problem is approached, the standard remains the same; conversion of the sensible interpretation to the nonsensical preface. Unlike the last laecuna, the vicuna conveys warmth, sensitivity, and a balance between ego, id, and superego.
The lost dynastic geological incontraversion also established antebellum transubstantiation. Introspection
confirms that spherical synthesis was a valid approach to its analysis.5 Weber pioneered this debenature,
commiserating with the mercurial attenuation of the internal dialectic. Connubial, anterior probation substantially reduces the commemorative expectations of reptilian dynastic aspirations, which were ecologically thwarted a score of millenia before serious mammalian exogesis. Particulate emissions were retrospectively credited with convertable
intuitive remuneration. Exponential hydrological microrepression was, however, responsible6 for the
precolumbian human synergy. Net present value was reduced by the depreciation of the fund equity implicit in
international prospectus alliteration under antekinetic pressure.7
Contributory negligence is not confined to definitive antecolombian textiles, however. Protocol marked the decline of the lunar calendar in viable teleological taxonomy. Marketable securities only recently plumbed the seismological incentive. External ambiance supports the logistical aphorism naturally symbolic in natural geometry.
NOTES
1Blount, Kinospheres, p. 52.
2Friedman, An Assessment of Affective Domain Fiscal Perceptions, Vol. 2, pp. 77-79.
3Ibid., p. 88-162.
4It is noteworthy that Blount and Friedman agree on this configuration; mortality projections suggest that both remain comparatively interactive.
5Blount, op. cit., pp. 28-29.
6Weems and Plath, Regression Analysis, p.2
7We can credit Foucald with this insight, according to Weems and Plath.
Inherent affective domain conservatism contributes to
affective temporal liberal or conservative fiscal convergence2 under the effective domination symbosis.
This logistical expansion is expressed in a symbiotic
enhancement of thermodynamic consistency. Friedman is entirely contextual in this expectation,3 losing the
confirming the retrograde expansion of interstellar and interplantary symbolism. Existental and extraterrestial
1Blount, Kinospheres, p. 52.
2Friedman, An Assessment of Affective Domain Fiscal Perceptions, Vol. 2, pp. 77-79.
3Ibid., p. 88-162.
bitmapping defines rebuttal romanticism, confirming meter and rhyme under conventional depreciation schedules. Not
lost in this analysis is the proto-elegant configuration of the platonic oedipal complex.4 The complex predefines
reductive interpretations of marsupial knight-errantry, anticipating existential romanticism, as well as gold-standard Keynsian monatarism. However the problem is approached, the standard remains the same; conversion of the sensible interpretation to the nonsensical preface. Unlike the last laecuna, the vicuna conveys warmth, sensitivity, and a balance between ego, id, and superego.
The lost dynastic geological incontraversion also established antebellum transubstantiation. Introspection
confirms that spherical synthesis was a valid approach to its analysis.5 Weber pioneered this debenature,
commiserating with the mercurial attenuation of the internal dialectic. Connubial, anterior probation substantially reduces the commemorative expectations of reptilian dynastic aspirations, which were ecologically thwarted a score of millenia before serious mammalian exogesis. Particulate emissions were retrospectively credited with convertable
4It is noteworthy that Blount and Friedman agree on this configuration; mortality projections suggest that both remain comparatively interactive.
5Blount, op. cit., pp. 28-29.
intuitive remuneration. Exponential hydrological microrepression was, however, responsible6 for the
precolumbian human synergy. Net present value was reduced by the depreciation of the fund equity implicit in
international prospectus alliteration under antekinetic pressure.7
Contributory negligence is not confined to definitive antecolombian textiles, however. Protocol marked the decline of the lunar calendar in viable teleological taxonomy. Marketable securities only recently plumbed the seismological incentive. External ambiance supports the logistical aphorism naturally symbolic in natural geometry.
6Weems and Plath, Regression Analysis, p.2
7We can credit Foucald with this insight, according to Weems and Plath.
Appendix IV Page [Page#] Omelette Macros
Appendix IV: The macros themselves
OMELETTE MACROS
To add to original MACROS ULTRA, drop the B, I, and O macros for the word processor in that file. Add these macros to the list.
start
<ba-s>:<awp oa-o>+b<rtn esc>***<oa-o>+e<rtn esc>! -- SETS 3 SUPERSCRIPTED ASTERISKS TO MARK LOCATION. CALLED BY CLOSED-APPLE-B; USES NO OTHER MACROS.
b:<awp><ba-s up up tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab rtn down oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-o>gb<rtn esc down sa-right input rtn oa-o>sm<rtn>1<rtn>ss<rtn esc rtn tab ba-s>! -- STARTS A NOTE SEQUENCE; INITIATES A GROUP, CALLS BOTHA-APPLE-S, LETS THE LINE BE FINISHED FROM THE KEYBOARD, SETS SINGLE SPACING, INDENTS TO THE FIRST TAB, AND FINALLY CALLS BOTH-APPLE-S AGAIN. USES THE MACROS ULTRA SOLID-APPLE-> MACRO, ALSO.
e:<awp><rtn down oa-o>sm<rtn>2<rtn>ge<rtn esc down oa-o>ds<rtn esc>! -- ENDS A NOT SEQUENCE BY ENDING A GROUP AND RESETTING TO DOUBLE-SPACING.
<ba-e>:<awp><onerr stop insert zoom oa-s X=0 oa-9 oa-o>gb<rtn esc rtn oa-o>sm<rtn>1<rtn esc up spc spc oa-q esc rtn>3<rtn rtn>zzz.newdoc<rtn rtn rtn rtn oa-o>sm<rtn>99<rtn>np<rtn>cn<rtn esc>NOTES<rtn oa-o>uj<rtn esc oa-1 oa-q>1<rtn begin oa-1 oa-f>ogb<rtn>n<oa-d rtn oa-f>m1<rtn>n<oa-d rtn up sa-right oa-m>t<oa-1 rtn oa-q>2<rtn oa-f>m99<rtn>n<oa-m>f<oa-f>t***<rtn>n<right right right del del del X = X + 1 print X : down oa-q>1<rtn oa-1 oa-f>t***<rtn>n<right right right del del del print X : oa-1 oa-f>m2<rtn>n<down down down oa-d rtn del del oa-d rtn up oa-d rtn up del oa-m>t<oa-1 rtn oa-q>2<rtn oa-9 oa-m>f<del del oa-1 oa-q>1<rtn rpt>! -- PLACES ALL NOTES AT THE END OF THE DOCUMENT. USES THE SOLID-APPLE-RIGHT MACRO FROM MACROS-ULTRA. THE NEWLY-CREATED DOCUMENT IS ZZZ.NEWDOC.
<ba-f>:<awp><onerr stop zoom insert oa-1 oa-s clear goto ba-?>! -- PRELIMINARY WORK FOR FORMAL, BOTTOM-OF-PAGE FOOTNOTES. SAVES THE ORIGINAL FILE, SETS THE VARIABLES TO ZERO, AND TRANSFERS CONTROL TO BOTH-APPLE-?.
<ba-i>:<awp><onerr stop zoom insert oa-1 oa-s clear begin X = X + 1 oa-f>m1<rtn>n<oa-d rtn up up tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab rtn {ESC WAS HERE} oa-o>ss<rtn esc down oa-d rtn rtn up ba-ctrl-z up up up up oa-f>o+e<rtn>n<del del del print X : right oa-f>o+e<rtn>n<del del del print X : oa-f>m2<rtn>n<oa-d rtn up ba-ctrl-z up oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab oa-tab rpt>! -- "IMBEDS" THE FOOTNOTES IN THE FINAL TEXT, DRAWING A LINE ABOVE AND BELOW EACH NOTE.
<ba-?>:<awp><onerr stop A = A + 1 oa-k >1<rtn oa-f>p<print A : {FINDS BOTTOM OF CURRENT PAGE} rtn rtn up posn E,F {STORES THE # OF THE LAST LINE ON THE CURRENT PAGE AS F} down rtn rtn up oa-o>ss<rtn>ub<rtn esc spc spc spc spc spc spc spc spc spc spc spc spc spc spc spc oa-o>ue<rtn esc {SETS SINGLE SPACING AND A SHORT LINE TO APPEAR ABOVE THE FOOTNOTES} rtn rtn down oa-o>ds<rtn>sm<rtn>220<rtn esc goto ba-ctrl-.>! -- AND RETURNS TO DOUBLE-SPACING AND SETS THE BOTTOM-OF-PAGE MARKER, WHICH IS 220. TRANSFERS CONTROL TO BOTH-APPLE-CONTROL-F.
<ba-ctrl-.>:<awp><onerr stop oa-1 oa-f>m1<rtn rtn down {FINDS TOP OF FIRST UNPROCESSED NOTE} posn E,Q if Q > F oa-1 oa-f>m220<rtn rtn oa-d rtn oa-o>np<rtn esc goto ba-? {IF PAST END OF PAGE, MAKE MARKER 220 INTO A NEW-PAGE COMMAND AND TRANFER CONTROL TO BOTH-APPLE-?} else oa-1 oa-f>m2<rtn rtn up up posn E,R {OTHERWISE, STORES LINE # OF THE END OF THE CURRENT NOTE AS "R"} X = X + 1 oa-q rtn oa-1 oa-f>t***<rtn>n<right right right del del del print X : oa-q rtn oa-1 oa-f>t***<rtn>n<right right right del del del print X : goto ba-ctrl-?>! -- {AND PLACES A PAIR OF SEQUENTIAL NOTE NUMBERS IN PLACE OF *** MARKERS, THEN TRANSFERS CONTROL TO BOTH-APPLE-CONTROL-?.
<ba-ctrl-?>:<awp><onerr stop L = R - Q oa-f>m1<rtn rtn down down Z = 0 oa-m>t<begin Z= Z + 1 down if Z < L rpt {USES A LOOP TO MARK NOTE TEXT TO BE MOVED TO THE BOTTOM OF THE PAGE VIA CLIPBOARD} else rtn oa-1 oa-f>m220<rtn rtn up up oa-m>f<del goto ba-ctrl-9>!-- TRANSFERS NOTE TO CLIPBOARD, THEN FROM CLIPBOARD TO BOTTOM OF PAGE, AND THEN TRANSFERS CONTROL TO BOTH-APPLE-CONTROL-9.
<ba-ctrl-9>:<awp><onerr stop oa-1 oa-f>m1<rtn rtn up up up oa-d rtn down down oa-d down down down down down rtn {ELIMINATES THE "BED" AT THE NOTE'S EMBEDDED LOCATION} oa-f>m220<rtn rtn posn E,F {STORES THE NEW LINE # OF THE END-OF-PAGE MARKER--AFTER THE VARIOUS MOVES-- AS VARIABLE F} goto ba-ctrl-.>! -- AND RETURNS CONTROL TO BOTH-APPLE-CONTROL-. (period).
<ba-ctrl-z>:<awp><oa-o>ub<rtn esc tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab tab left left oa-o>ue<rtn esc>! LINE-DRAWING SUBROUTINE USED BY BOTH-APPLE-I.
(Following macros from original MACROS ULTRA file by Randy Brandt.)
<Left>:<awp><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab><oa-tab>! go to beginning of Awp line; assumes that a maximum of 20 tabs are set in the file. Add more oa-tabs if necessary
<Right>:<awp sa-left : down : left>! go to end of awp line
Appendix V: Quick-Reference Guide
COMPOSITION MACROS
Solid-Apple-B Begins a note sequence, first setting several markers and other details. Then, it allows the line of text to be finished from the keyboard, ended by pressing the RETURN key. Then the note's superscripted reference is set and the author types the note from the keyboard (or uses I or O).
Solid-Apple-E Used to end a note, as soon as the author has completed the text of the note. Sets several markers and handles other details, leaving the writer at the beginning of the next line of text.
Solid-Apple-I Creates the Ibid. note.
Solid-Apple-O Creates the op. cit. note.
TRANSITIONAL HOUSEKEEPING CHECKLIST
1. AppleWorks PROGRAM accessible.
2. Data disk accessible.
3. Clean up desktop.
4. Start the macros with the new composition on-screen.
FINAL-FORMATTING MACROS
Both-Apple-E Places all notes on a separate page at the end of the document.
Both-Apple-F Places all notes as footnotes, at the bottom of each page of main text.
Both-Apple-I Leaves notes imbedded in the text, drawing distinctive lines above and below the note itself.
Inherent affective domain conservatism contributes to
affective temporal liberal or conservative fiscal convergence*** under the effective domination symbosis.
***Friedman, An Assessment of Affective Domain Fiscal Perceptions, Vol. 2, pp. 77-79.
This logistical expansion is expressed in a symbiotic
enhancement of thermodynamic consistency. Friedman is entirely contextual in this expectation,*** losing the
***Ibid., p. 88-162.
confirming the retrograde expansion of interstellar and interplantary symbolism. Existental and extraterrestial bitmapping defines rebuttal romanticism, confirming meter and rhyme under conventional depreciation schedules. Not
lost in this analysis is the proto-elegant configuration of the platonic oedipal complex.*** The complex predefines
***It is noteworthy that Blount and Friedman agree on this configuration; mortality projections suggest that both remain comparatively interactive.
reductive interpretations of marsupial knight-errantry, anticipating existential romanticism, as well as gold-standard Keynsian monatarism. However the problem is approached, the standard remains the same; conversion of the sensible interpretation to the nonsensical preface. Unlike the last laecuna, the vicuna conveys warmth, sensitivity, and a balance between ego, id, and superego.
The lost dynastic geological incontraversion also established antebellum transubstantiation. Introspection
confirms that spherical synthesis was a valid approach to its analysis.*** Weber pioneered this debenature,
***Blount, op. cit., pp. 28-29.
commiserating with the mercurial attenuation of the internal dialectic. Connubial, anterior probation substantially reduces the commemorative expectations of reptilian dynastic aspirations, which were ecologically thwarted a score of millenia before serious mammalian exogesis. Particulate emissions were retrospectively credited with convertable
intuitive remuneration. Exponential hydrological microrepression was, however, responsible*** for the
***Weems and Plath, Regression Analysis, p.2
precolumbian human synergy. Net present value was reduced by the depreciation of the fund equity implicit in
international prospectus alliteration under antekinetic pressure.***
***We can credit Foucald with this insight, according to Weems and Plath.
Contributory negligence is not confined to definitive antecolombian textiles, however. Protocol marked the decline of the lunar calendar in viable teleological taxonomy. Marketable securities only recently plumbed the seismological incentive. External ambiance supports the logistical aphorism naturally symbolic in natural geometry.
Appendix VII Omelette Macros
Permanent Installation
To install these macros in the Ultra Macros file shipped with the TimeOut Ultramacros, follow these steps.
1. With this file on the desktop, delete all of this file except Appendix IV.
2. Load the Ultra Macros file from the orignal TimeOut Ultramacros disk to the desktop. Delete the word processor macros B, E, and I.
3. Delete the word "start" from Appendix IV. Move it to the clipboard.
4. Go into the Ultra Macros file. Move the former Appendix IV from the clipboard to the bottom of it.
5. Compile the macros and establish them as the default set according to the instructions in the TimeOut Ultramacros manual.
Beyond this example, only general guideline are offered because different people prefer to install their utilities in different ways. The following macro identifiers were selected--in this package--as memory aids:
Solid-Apple Macros (just two key for ease of use):
B = <B>egin a note
E = <E>nd a note
I = <I>bid.
O = <O>p. cit.
Both-Apple Macros (three keys, to help ensure they're not invoked by accident):
E = Put notes at <E>nd of the document
F = Put notes at the <F>oot of the page
I = Leave notes <I>mbedded in the text
Several other macros in this package perform various important parts of the work. Most (not all) of these macros use uncommon keys; four-key combinations such as Both-Apple-Control-?, which are not likely to be used from the keyboard.
Therefore, when installing these macros into a custom set of macros, use Open-Apple-Find to check for conflicts with this set. If there are conflicts, the main macro keys of these macros can be changed to whatever identifiers the user wishes. If there are conflicts with the "hidden" macro identifiers, an experienced macro programmer should merge the two sets so that the looping and control-transfer functions of this package are preserved.
Appendix VIII Programmer's Notes
Although interminable, these macros are relatively well documented. They can be substantially improved. A good warmup would be to use the concepts in <ba-?> and <ba-ctrl-.> to improve <ba-i>. If you improve them substantially, please notify the National AppleWorks User Group in Canton, MI. Have fun!
